How To Write A Killer Conference Abstract

The LSE blogs recently published an ‘essential ‘how-to’ guide to writing good abstracts’conference presentation. While this post makes some excellent points, its title and first sentence don’t differentiate between article and conference abstracts. The standfirst talks about article abstracts, but then the first sentence is, ‘Abstracts tend to be rather casually written, perhaps at the beginning of writing when authors don’t yet really know what they want to say, or perhaps as a rushed afterthought just before submission to a journal or a conference.’ This, coming so soon after the title, gives the impression that the post is about both article and conference abstracts.

I think there are some fundamental differences between the two. For example:

Article abstracts are presented to journal editors along with the article concerned. Conference abstracts are presented alone to conference organisers. This means that journal editors or peer reviewers can say e.g. ‘great article but the abstract needs work’, while a poor abstract submitted to a conference organiser is very unlikely to be accepted.

Articles are typically 4,000-8,000 words long. Conference presentation slots usually allow 20 minutes so, given that – for good listening comprehension – presenters should speak at around 125 words per minute, a conference presentation should be around 2,500 words long.

Articles are written to be read from the page, while conference presentations are presented in person. Written grammar is different from spoken grammar, and there is nothing so tedious for a conference audience than the old-skool approach of reading your written presentation from the page. Fewer people do this now – but still, too many. It’s unethical to bore people! You need to engage your audience, and conference organisers will like to know how you intend to hold their interest.

The competition for getting a conference abstract accepted is rarely as fierce as the competition for getting an article accepted. Some conferences don’t even receive as many abstracts as they have presentation slots. But even then, they’re more likely to re-arrange their programme than to accept a poor quality abstract. And you can’t take it for granted that your abstract won’t face much competition. I’ve recently read over 90 abstracts submitted for the Creative Research Methods conference in May – for 24 presentation slots. As a result, I have four useful tips to share with you about how to write a killer conference abstract.

First, your conference abstract is a sales tool: you are selling your ideas, first to the conference organisers, and then to the conference delegates. You need to make your abstract as fascinating and enticing as possible. And that means making it different. So take a little time to think through some key questions:

  • What kinds of presentations is this conference most likely to attract? How can you make yours different?
  • What are the fashionable areas in your field right now? Are you working in one of these areas? If so, how can you make your presentation different from others doing the same? If not, how can you make your presentation appealing?

There may be clues in the call for papers, so study this carefully. For example, we knew that the Creative Research Methods conference, like all general methods conferences, was likely to receive a majority of abstracts covering data collection methods. So we stated up front, in the call for papers, that we knew this was likely, and encouraged potential presenters to offer creative methods of planning research, reviewing literature, analysing data, writing research, and so on. Even so, around three-quarters of the abstracts we received focused on data collection. This meant that each of those abstracts was less likely to be accepted than an abstract focusing on a different aspect of the research process, because we wanted to offer delegates a good balance of presentations.

Currently fashionable areas in the field of research methods include research using social media and autoethnography/embodiment. We received quite a few abstracts addressing these, but again, in the interests of balance, were only likely to accept one (at most) in each area. Remember that conference organisers are trying to create as interesting and stimulating an event as they can, and variety is crucial.

Second, write your abstract well. Unless your abstract is for a highly academic and theoretical conference, wear your learning lightly. Engaging concepts in plain English, with a sprinkling of references for context, is much more appealing to conference organisers wading through sheaves of abstracts than complicated sentences with lots of long words, definitions of terms, and several dozen references. Conference organisers are not looking for evidence that you can do really clever writing (save that for your article abstracts), they are looking for evidence that you can give an entertaining presentation.

Third, conference abstracts written in the future tense are off-putting for conference organisers, because they don’t make it clear that the potential presenter knows what they’ll be talking about. I was surprised by how many potential presenters did this. If your presentation will include information about work you’ll be doing in between the call for papers and the conference itself (which is entirely reasonable as this can be a period of six months or more), then make that clear. So, for example, don’t say, ‘This presentation will cover the problems I encounter when I analyse data with homeless young people, and how I solve those problems’, say, ‘I will be analysing data with homeless young people over the next three months, and in the following three months I will prepare a presentation about the problems we encountered while doing this and how we tackled those problems’.

Fourth, of course you need to tell conference organisers about your research: its context, method, and findings. It will also help enormously if you can take a sentence or three to explain what you intend to include in the presentation itself. So, perhaps something like, ‘I will briefly outline the process of participatory data analysis we developed, supported by slides. I will then show a two-minute video which will illustrate both the process in action and some of the problems encountered. After that, again using slides, I will outline each of the problems and how we tackled them in practice.’ This will give conference organisers some confidence that you can actually put together and deliver an engaging presentation. four leaf clover

So, to summarise, to maximise your chances of success when submitting conference abstracts:

  1. Make your abstract fascinating, enticing, and different.
  2. Write your abstract well, using plain English wherever possible.
  3. Don’t write in the future tense if you can help it – and, if you must, specify clearly what you will do and when.
  4. Explain your research, and also give an explanation of what you intend to include in the presentation.

While that won’t guarantee success, it will massively increase your chances. Best of luck!

Creative Research Methods Conference – Great News!

I blogged about this conference when we opened for bookings, fireworksand now I have some fantastic news to share. Last week was the deadline for the call for papers. This is always a bit nerve-racking in a ‘is anyone coming to our party?’ kind of way. We’d had quite a few abstracts in before the deadline – almost enough to start feeling confident – but on the deadline day the abstracts were piling in and the conference email inbox was red hot.

We’ve counted them now. There are 90 abstracts! NINETY!! To fill 24 presentation slots. I understand this has smashed all previous records for a conference organised by the Social Research Association. And people were still emailing this week to ask if they could make late submissions. (Sorry, no; we have more than enough.)

This means several things. First, we’re going to have to disappoint a lot of people. I feel really bad about that; it’s not what I would choose. Second, it’s going to be a helluva job deciding which to include and which to leave out. People often say ‘it’s a really difficult decision’ even when it isn’t: to be tactful, or to make people think their conference (or recruitment, or whatever) is in demand. But these decisions actually are going to be really difficult, and I’m very glad to have the help and support of experienced volunteers from the SRA’s events group. Third, the event will be popular; we may well run it again in future years. Fourth, this conference is going to be EXCELLENT.

Talking of which, it’s at the British Library Conference Centre, on Friday 8 May 2015, and booking is open now with early bird discounts available until 31 January 2015. In the circumstances, I suspect it will sell out fast, so do book soon if you want a place.

I am so looking forward to this conference!! And not just because my next book, Creative Research Methods in the Social Sciences: A Practical Guide, will be launched there – although of course that is a part of it, for me. But I think it’s going to be a fantastic day, with loads of opportunities for learning and networking. I can’t wait!

Conference Registration Open!

I may have mentioned that I’ve been involved in organising a conference on Creative Research Methods in the Social Sciences, where my next book will be launched. This conference will be on 8 May 2015 at the British Library Conference Centre in central London. I’m delighted to say that registration for this conference is now open.

This means I can also reveal the line-up. The keynote speech will be given by Professor David Gauntlett, author of several books including Creative Explorations and Making is Connecting. Then we have four subject experts who have agreed to chair the workshop streams and form a final panel:

Dr Kitrina Douglas, champion golfer, broadcaster, sports researcher at Leeds Beckett University (formerly Leeds Met), poet and songwriter, will chair the arts-based research workshop stream
Jamie Bartlett, Director of the Centre for the Analysis of Social Media at Demos, will chair the research using technology workshop stream
Matt Barnard, Head of Evaluation at NSPCC, will chair the mixed method research workshop stream
Dr Molly Warrington, Senior Lecturer in Human Geography at Cambridge University, will chair the transformative research frameworks stream

There is an ‘early bird’ discount of 10% on bookings made before the end of January. Don’t miss out! Hope to see you there.

Four weeks to go!

I am already very excited about the 8th of May 2015. Because, on that day, I will be at a conference on Creative Research Methods, run by the Social Research Association, at the British Library. And my next book will be launched there!

So why am I saying ‘four weeks to go’ when it’s clearly six months away? Because there is just one month to go to get your abstracts in, if you want to present your work at this conference and earn yourself a hefty discount on the cost in the process.

I’ll let you know when we’re open for registration – should be in the next week or two.