How To Give Feedback On Academic Writing – Twelve Top Tips

feedback peopleA recent discussion on Facebook reminded me that I’ve written about how to deal with feedback from reviewers, but I haven’t written about how to give feedback to peers and colleagues. There is an art to this which I have learned, paradoxically, from receiving feedback, which taught me what helps and what does not help.

Feedback is a fairly neutral word but what we’re actually dealing with is criticism. Some people call it ‘critique’ to make it sound better but it’s still criticism. Criticism is not neutral and so it has lots of emotion attached.

In the last decade I joined a closed online short story writing group of around a dozen fiction writers. We all knew each other online through blogging and wanted to improve our writing. The idea was that we would each write and share a story once a fortnight. The stories were posted anonymously by one of the group – we took turns – and the others would give feedback. To begin with we only gave positive feedback until one of us pointed out that we weren’t going to get very far that way. We were a bit scared about being more critical, but gradually our feedback became more robust, with honesty about the elements of each story that didn’t work for us and why, as well as praise for the parts that did and suggestions for how to overcome weaknesses. We built up a lot of trust in that group and it helped us to give better feedback and so become better writers.

This experience taught me that trust is important to effective feedback. In the group we built trust over time. If you’re writing an anonymous peer review, you need to create trust all at once.

Another thing that is important is blending praise where possible, or at least advice, with your criticism. I had a review for the typescript of my last book which was entirely critical. Essentially, it said the book was rubbish and should never be published. The reviewer is entitled to their opinion, and I have been a writer for far too long to be upset by critical feedback, but the problem was that the review gave me no help at all. There was nothing in it which I could use to improve my writing. (Luckily I had two other reviewers at that stage who took a more balanced approach and did give me constructive criticism, advice, and some praise.)

So, from all my years of experience of receiving and giving feedback on writing in several genres, here are my twelve top tips for giving good quality feedback that others will trust.

  1. Be honest in all the feedback you give.
  2. Read the piece you’re giving feedback on carefully, thoroughly, at least twice.
  3. While you read, make notes of thoughts that occur to you. As a minimum, these should include: aspects of the work you think are good; where you think there is room for improvement; anything you don’t understand; references the author might find helpful.
  4. Be sure to praise the good points in the author’s work. This helps to build trust and also lets the author know what they can relax about.
  5. Be open about anything you don’t understand. Doing this worries some people because they think they may look stupid, particularly if they’re giving feedback to a peer or colleague rather than writing an anonymous review. But it’s really helpful feedback for writers because it may be that they haven’t written clearly enough.
  6. Give a straightforward assessment of areas where you think there is room for improvement.
  7. Tell the author how you think they can improve their work. This is crucial. If you’re only saying where improvement is needed, you’re only doing half the job.
  8. Where relevant, suggest references the author has missed.
  9. If you think extra references would be helpful but nothing specific springs to mind, have a quick look on a website such as Google Scholar or the Directory of Open Access Journals and see if you can find something to point the author towards.
  10. Don’t worry if you can only offer a certain amount of help because of the limits to your own knowledge. It’s fine to say, for example, that a quick online search suggests there is more relevant literature in the area of X; you’re not certain because X lies outside your own areas of interest but you think it would be worth the author taking a look.
  11. Acknowledge the author’s emotions. For example, after giving quite critical feedback, you might say something like, “I realise that implementing my suggestions will involve a fair amount of extra work and this may seem discouraging. I hope you won’t be put off because I do think you have a solid basis here and you are evidently capable of producing an excellent piece of writing.” (Though remember #1 above and don’t say this if it’s not true.)
  12. Be polite throughout, even if your review is anonymous. Anonymity is not an excuse for rudeness.

If there’s anything I’ve missed, please add it in the comments.

This blog is funded by my beloved patrons. It takes me around one working day per month to post here each week. At the time of writing I’m receiving funding of $12 per month. If you think four of my blog posts are worth more than $12 – you can help! Ongoing support would be fantastic but you can also support for a single month if that works better for you. Support from Patrons also enables me to keep this blog ad-free. If you are not able to give financial support at this time, please consider reviewing any of my books you have read – even a single-line review on Amazon or Goodreads is a huge help – or sharing a link to my work on social media. Thank you!

Independent Research, Writing, and Financial Reality

money twenty pound notesEvery so often I post about how much money I make. As I’m just finishing my 2017-18 accounts, it seems a good time to update this.

I have written before about the difficulties the recession caused to my business and the bumpy road back to reasonable prosperity. In 2017-18 I invoiced for £34,338.54 of business, a bit down on the 2016-17 figure of £39,939 though that was partly because I took on a sizeable contract in the spring of 2018 but didn’t receive my first payment instalment until after my year end on 31.7.18.

The amount I invoice for is representative of the amount of work I do, not the amount of money I have in my pockets. In 2016-17 my post-tax profit was £14,057 – and I was able to pay myself a bit more than that because I’d had an even better year in 2015-16, as reported in my earlier post. In fact, 2015-16 was by far the best year of the last 8 years.

So it’s still bumpy, but the bumps are evening out, and I’m beginning to feel that I’m back on my financial feet (except when I think about my pension plans, eek, must do something about that). It helps that my mortgage is paid off, I’m happily child-free, and I don’t have expensive tastes. Also, I have plenty of work scheduled in for early 2018. For the first time in eight years, I don’t feel as if I should spend every spare moment trying to generate work.

Also, my research business doesn’t represent the whole of my income. There is also the income I derive from writing, which in 2017-18 was royalties of £1,663.70 from my trade published books and £306.25 from my self-published books, plus £268.64 from the wonderful ALCS. That’s a total of £2,238.59 for the year – though again there were outgoings to set against that: memberships of the Society of Authors and the Textbook and Academic Authors’ Association, royalties to Nathan Ryder who co-authored Self-Publishing for Academics, and all the books I bought. Altogether that comes to £593.48 and brings down my writing-related income to £1,645.11. Which is enough to pay for a month of writing time. I have to look at it that way, and not think in terms of an hourly rate, or I’d never write another word… if I wasn’t a writing addict.

Writing income is bumpy too. As my trade royalties arrive annually in October, I already know that they are lower in 2018-19 (£947.46) and I don’t really understand why. But I have a new book out this month, and I’ll have two short books out next month in the new series I’m working on for SAGE, plus two more next July, and I’m also co-editing and writing for a new series for Routledge, and have three other book proposals in the pipeline. The SAGE and Routledge books come with small advances totalling £1,250 so far, so in this financial year I’ve already made more from those than from the royalties on my published books. I’m hopeful that perhaps by 2021 I’ll make enough to buy myself out for two months of writing time. At that rate it should only take another 30 years of work to be able to write full-time, so it doesn’t look as though I’ll achieve that dream, as I’ll be 87 in 2051!

Sometimes people think that because my day rates are comparatively high, I must be rich. In fact, my day rates don’t only cover a day’s work, they also cover holidays, sickness and bereavement leave, time spent on unpaid but essential work such as admin and accounts, travelling time, business expenses such as heat and light and IT equipment and accountants’ fees and so on, and of course tax to be paid.

There are independent researchers who make more money than me – I know of one who is registered for VAT, which suggests they turn over more than £85,000 per year, but they work very hard for that, travelling all around the world for most of the year. That may sound delightful and glamorous but I can assure you that travelling for work, while it does have lovely moments, is mostly about trains, planes, taxis, hotel rooms and classrooms or meeting rooms. I like to work overseas, and could probably make more money if I did more of it, but once or twice a year is about right for me.

I think it is important to be open about how much money I make overall, not least because so many people ask me what it’s like to be an independent researcher. For me, it’s a terrific lifestyle, but it wouldn’t suit everyone. I’d say it’s probably as difficult as being an academic or practice-based researcher but the difficulties are in different places. If it’s an option you’re considering, you need to be as realistic as possible about the financial side.

This blog is funded by my beloved patrons. It takes me around one working day per month to post here each week. At the time of writing I’m receiving funding of $11 per month. If you think four or five of my blog posts are worth more than $11 in total – you can help! Ongoing support would be fantastic but you can also support for a single month if that works better for you. Support from Patrons also enables me to keep this blog ad-free. If you are not able to support me financially, please consider reviewing any of my books you have read – even a single-line review on Amazon or Goodreads is a huge help – or sharing a link to my work on social media. Thank you!

Book Launch And Reviews

Research ethics in the real world [FC]My book launch was yesterday afternoon, and it was a peak experience – I’ve written about these before; they don’t come along often. I gave a free seminar on research ethics at City University in London, which was well received, and my lovely publisher kindly put on a wine reception afterwards. It was an amazing night with friends old and new making up an attentive audience who asked insightful questions. I had so much fun I forgot to take any photos!

I am absolutely amazed that, just a week after publication, this book already has two five-star reviews online. That is unprecedented in my experience. And no, they’re not by people I’ve paid to write them, or by my Mum – they’re by genuine readers. One review is on Amazon and says ‘New researchers and seasoned academics can learn much’ from the book, and also describes it as ‘an enjoyable read’ (that was my favourite part!). The other is on Goodreads and describes the book as ‘an invaluable resource for the researcher’.

Of course these are very pleasing reviews, but that’s not all they are. The time between publication and first reviews is always quite nerve-racking for an author. I know that aspects of this book are controversial. Some of the typescript reviews were very negative, and I’m not expecting all of the book reviews to be positive either. So it is a huge relief to me that the first reviews, at least, are favourable.

My book is properly out in the world now and I’ll stop banging on about it after this – but honestly it has dominated my life for the last couple of weeks and I really haven’t had anything else to write about! Normal service, as they say, will be resumed next week.

 

Ethics, ethics, ethics

Research ethics in the real world [FC]So it’s publication this week, launch next week – places still available if you want to come, it’s free and there will be WINE. This is always a very busy time and the everyday work doesn’t stop to make space. I’m currently working on the next book for Sage and on one I’m co-authoring for Routledge – more about that later. I am also preparing for a busy November: teaching in Birmingham and Southampton, helping to facilitate events in Brussels and Sheffield, attending an event in Leeds, and two trips to London as well. And I have preparation to do for my book launch a week tomorrow.

This means I have no time to write posts for this blog! Luckily I’ve written several for other people. The Research Whisperer published the first of them yesterday, on The Ethics of Conference Speakers. I’d encourage you to head over there and read it, and while you’re there why not have a look around and give them a follow? The scholars who run the blog publish lots of useful posts, and they’re lovely people, too.

Little Quick Fixes for Research

Little Quick Fix logoBack in May, I was surprised and delighted to be contacted by a research methods editor from SAGE Publishing, Mila Steele, who asked me to write books for their new Little Quick Fix series on research methods. I had met Mila several times at conferences and other events, and we’d had some good chats, but her email came quite out of the blue.

The series is a new departure for SAGE. It’s also a new departure for me, as the books are intended for undergraduates and I’ve only written for postgraduates before (though some enterprising third-year undergraduates have used, and kindly given me good feedback on, Research and Evaluation for Busy Students and Practitioners: A Time-Saving Guide). There are two other authors currently writing for the series: Zina O’Leary, who is covering the project management side of things, and John MacInnes, who is writing on statistics. Mila wanted me to focus on data, and we agreed that I would start with two books: Do Your Interviews and Write A Questionnaire.

The books are short, pocket-sized, colourful, and interactive. They have a template for consistency, but there is also scope for varying that template as needed. There is no peer review; instead, authors work closely with their editor. In one way this is a joy, though in another way it has caused me problems because I don’t work with undergraduates myself. Luckily I have a colleague/friend who teaches interviewing to undergraduates and was willing to let me pick her brains over lunch. Twitter helped me find another contact who teaches questionnaires to undergraduates and, as she was in Australia, Skype allowed us to speak. I was grateful to both people for alerting me to important points I might otherwise have missed.

Before these, the last book I wrote was Research Ethics in the Real World: Euro-Western and Indigenous Perspectives which took three-and-a-quarter years to complete. So it was a joy to find that I could write a Little Quick Fix book in just a few weeks. They’re not easy, though, because – as anyone who has written for an academic journal knows – ‘easy’ and ‘short’ are not the same thing. Each of these little books is like a puzzle. The text has to be both distilled and accessible; there are strict word counts for different sections; you need to cover the same ground three ways – in under 25, 130 and 600 words – without being repetitive. And then you have to devise interactive exercises to reinforce and embed the points you’ve made. Plus, with the first two, the timescales were tight. SAGE approached me in May, I signed a contract in June, delivered Do Your Interviews in July, Write A Questionnaire in August, they went into production in September and will be published in December. That is a blisteringly fast schedule by traditional publishing standards.

The really good news, from my point of view, is that SAGE has a design team who are doing a proper professional job on the books’ covers and contents. Look at my covers! Aren’t they lovely?

Do Your Interviews coverWrite A Questionnaire cover

I can’t wait to see the contents.

While I was writing, I made some design suggestions, and it will be interesting to see which the team take up and which they ignore or change. Design is not my strong point, to say the least. I can’t bear to show you the flow chart I cobbled together in Word which I could only be proud of if I was five years old. But I have seen these designers’ outputs and I know they are going to make my work look good.

I am also pleased that the books will be very accessibly priced at £6.99, US$9.50, and equivalent prices around the world. Perhaps the best news of all is that I have now contracted to write two more books in the series: Use Your Interview Data and Use Your Questionnaire Data. Plus these have much more relaxed timescales; the first is due by 1 December and the second by 25 February, for publication next July. I love my life!

Fear Of Success

leapI have seen several pieces written online about impostor syndrome (one of them by me) and there is a body of scholarly work about fear of failure. Fear of success can be as big a barrier, in my view, though much less is written about that. For example, on Google Scholar, “fear of success” gets around 8,500 hits, while “fear of failure” gets around 59,000. So here’s a post to help redress the balance.

I have been grappling with a potential project over the last couple of months which requires a brief application of 1000 words. I’m good at writing and I’ve had some top quality help and support, yet this has been a real struggle. I have emailed three separate versions to my main support person for feedback; I haven’t done that since my PhD days over 12 years ago. And I have come to the conclusion that fear of success is part of the problem.

I found myself doing various small acts of self-sabotage, such as putting a relevant electronic document in the wrong folder, and procrastinating about research I needed to do for the application because it felt too difficult to tackle. Those unusual (for me) activities alerted me to something unfamiliar going on in my psyche.

I don’t feel like a fraud, so it’s not impostor syndrome. It’s not fear of failure, either, as if I fail, I lose nothing but the time I have invested. I will be no worse off apart from a temporary feeling of disappointment. So I think it must be fear of success.

Reflecting on this, I realised that fear of success is based on fear of identity change. If I get to do this project, it will change who I am. I will become ‘the person who [does things I don’t do now]’. And change like that is scary, even though the project is something I think I want and something others are encouraging me to attempt. If I become ‘the person who’, will I still fit in my primary relationship with my significant other? Will I still more or less fit into my professional communities? Will I still fit in my skin?

I don’t know the answers to those questions. That means if the people who have the power to offer this project to me do so, and I decide to accept, I will be taking a leap into the unknown. That feels so scary.

I know impostor syndrome well; it was with me for the publication of Research and Evaluation for Busy Students and Practitioners in 2012, and again for the publication of Creative Research Methods in 2015. Fear of failure goes back much further, to my school exams in the 1970s. But fear of success is new to me. I’m not familiar with all its little schemes and wiles, but I expect I’ll counteract them the way I have with fear of failure and impostor syndrome: I will get to know how fear of success works on me, and then I’ll carry on regardless.

Academic taboos #3: what cannot be written

An earlier version of this article first appeared in Funding Insight in summer 2017; this updated version is reproduced with kind permission of Research Professional. For more articles like this, visit www.researchprofessional.com.

what can't be writtenAcademic writing has powerful conventions that lecturers, doctoral supervisors, and published academics work to uphold. Proper academic writing should be correct in every detail of grammar, punctuation, spelling and structure. It should use the third person, for neutrality, and to remove any sign of personal bias. The author should be as specific and precise as possible, and careful not to over-claim.

All this leads to some interesting linguistic contortions. ‘Two categories were studied to assess… the results highlight… the article will show…’ These kinds of constructions are commonplace in academic writing like nowhere else. Nothing is studied in a vacuum, and it is not ‘results’ that highlight or an ‘article’ that will show. Research is carried out by human beings, who decide what will be highlighted or shown in the reports of their research. Whose interests does it serve to conceal these truths?

In some disciplines, it is becoming more acceptable to acknowledge the researcher’s and authors’ roles in writing; to use the first person, and to accept the inevitability of bias while looking for ways to reduce it as far as possible. Yet moving away from attempted precision and correct use of English is still taboo. This causes problems, for example when the author needs to represent spoken English, such as in quotes from participants. Academics, research participants, and readers disagree about whether quotes should be rendered exactly, with their ‘incorrect’ grammar, or tidied up. If quotes are collected online, entering them into a search engine can identify participants. Quotes including swear words may alienate some readers. Exact quotes rendered in writing, with all their ‘ums’ and ‘ers’ and half-formed sentences, can make participants seem uneducated or unintelligent. Generally, academia prefers sanitised quotes. However, this can be viewed as an abuse of authorial power, as it removes authenticity from participants’ words.

In fact academic writing conventions are all about power. The apparently laudable aims of precise, unbiased writing conceal the power dynamics at play. Academic writing conventions – themselves allegedly neutral – in fact operate to exclude those who cannot or will not abide by them.

The good news is that there is now a tiny but growing movement to break down these conventions, led by some brave doctoral students, supervisors, and universities. For example:

  • Nick Sousanis, now Assistant Professor at San Francisco State University in the US, presented his doctoral dissertation as a graphic novel at Columbia University in 2014. The following year it was published by Harvard University Press, entitled Unflattening.
  • Patrick Stewart, a First Nation architect in Canada, successfully defended his doctoral dissertation at the University of British Columbia in 2015. Entitled Indigenous Architecture through Indigenous Knowledge, it has almost no capital letters or punctuation, as a form of resistance to the unthinking acceptance of English academic writing conventions.
  • Piper Harron is an assistant professor of mathematics at the University of Hawai’i in Manoa. She was awarded her PhD from Princeton University in the US in 2016. Her dissertation included in each chapter a section for ‘the layperson’, another for ‘the initiated’, and a third for ‘the mathematician’, as well as a whole lot of jokes.
  • Ashleigh Watson, a doctoral candidate at Griffith University in Queensland, Australia, founded So Fi, a sociological zine publishing creative sociological writing including fiction and poetry, in 2017.

Academia needs to take these kinds of alternative formats seriously. They enable more voices to be heard, more fully, than the conventional style of writing. Some universities have developed helpful alternative format policies to support this movement, such as this one from the University of Exeter in the UK. Implementing these kinds of policies will enrich academia.

Conversation With A Purpose

covertest2I have exciting news! This has been a long time in the planning and making, and has come to fruition in part thanks to the support of my beloved patrons. The inspiration came almost two years ago, at one of the pedagogy sessions of the 2016 Research Methods Festival. Research colleagues from the UK’s National Centre for Research Methods, where I am a Visiting Fellow, talked about the difficulty in bridging the gap between classroom and practice when teaching research methods. It occurred to me then that comics and graphic novels could have a useful role to play here, and I vowed to do what I could to make that happen.

Today, I am glad to launch my first research methods comic online. It’s called Conversation With A Purpose and it tells the story of a student’s first real-life interview. I wrote the words, but I couldn’t have made a comic without a collaborator, because I can draw the curtains but that’s about all. My colleague and friend Dr Katy Vigurs put me in touch with Gareth Cowlin who teaches on the Cartoon and Comic Arts degree course at Staffordshire University. I presented his students with a brief, and was lucky enough to recruit the very talented Sophie Jackson to create the artwork for the comic. Sophie is not only a highly skilled artist, she is also a joy to work with, so the entire project was a delight from start to finish.

The in-person launch happened last Friday night at Show and Tell, Staffordshire University’s 2018 art and design degree show. I also launched another creative teaching aid at the show, but you’ll have to wait till next week to find out about that! People’s feedback on the comic was very positive, though I wasn’t surprised because we had already received terrific testimonials from a couple of eminent scholars.

And you know the best part of all? You can download the comic, Conversation With A Purpose, and you will find instructions for printing it here. It will look best if you have a colour printer, though it should also work in monochrome. The comic includes discussion questions for use in the classroom.

Please enjoy, use, and share our comic. And if you would like to help me create more resources like this, please consider joining my patrons. I love producing free stuff to help students and teachers but, as an independent researcher with no guaranteed salary, my resources are very limited. This is where every single supporter makes a real difference.

How To Deal With Reviewers’ Comments

editing textYour first set of reviewers’ comments lands in your inbox. Your heart begins to race. Will your work be accepted or rejected? Will they love it or hate it? Can you bear to open the email?

These may be reviews for a journal article, book proposal, or book typescript. In each case the process is the same. First you need to read the comments and give yourself time to react. Whether it’s the exultation of an acceptance, the despair of a rejection, or the mixed feelings that come with requests for revisions, you need time to process your emotional response before you do anything else. Whoop, cry, eat chocolate, do whatever you need to do.

Because of negativity bias, negative comments – even when constructively phrased – have more impact on most people than positive comments. We need to work to counteract this bias. So, unless you’ve received very favourable comments and you want to revel in their glory, I recommend waiting at least 24 hours before you read the comments again. This can help you to take a more balanced view, which is useful because if it’s a rejection or revisions, you’ll need to see how your work can benefit from the reviewers’ input before you send it off again. This can be quite a challenge, especially if the reviewers have different views of your work and how it can be improved. Your journal or commissioning editor may offer some guidance and if so you should take that into account. But sometimes they leave it all to you.

My solution to this is to treat the reviewers’ comments as data and go into analysis mode. I create a table with one column for the comments and another for each reviewer. Then I enter each substantive comment into the first column and put a mark in the other columns for each reviewer who has made a similar point. This helps me to pick up the instances where reviewers are effectively saying the same thing, though perhaps in very different ways. It also helps me to see at a glance which comments have been made by all or some reviewers, and which only by one of the reviewers.

I have said before on this blog that reviewers’ comments come in three categories: the no-brainer (act on this), the no-thanks (don’t act on this), and the oh-wait (probably act on this, though not necessarily in the way the reviewer suggests). So my next job is to sort comments into these categories.

If a comment has been made by more than one reviewer I will take it more seriously. That doesn’t mean I’ll definitely implement it, but I am more likely to do so. If a comment has been made by all reviewers I would need a very, very good reason not to implement it. If a comment has only been made by one reviewer, that in itself might be one reason I could decide not to implement it, though I would also expect to give at least one other reason.

Once I have sorted the comments into their categories, I will list them by category in the first column of another table with two further columns: a brief note of what I plan to do in response to each of the no-brainers and the oh-waits, and a brief note of what I plan to write in the cover letter against each comment from all three categories. This is useful because I can dip into it when I have a spare half-hour or so, and find a job or two to do to get me closer to the finish line.

It is important to be polite in your response to reviewers’ comments, even if you think they’re the biggest load of old rubbish you’ve seen since your last visit to the municipal tip. Some reviewers’ suggestions seem to be based more on what they would have written than on what you actually have written and this can be quite annoying at times. When you come across a suggestion you really don’t want to implement, there are some tactful ways to say so, such as:

“This is an excellent suggestion though unfortunately beyond the scope of this particular project.”

“I can see how this suggestion would improve my work but sadly I am unable to incorporate it within the allocated word count.”

“This is a really interesting idea. I have considered it carefully and concluded that it doesn’t quite fit with the thrust of my current article/book, but it will influence my thinking for future projects.”

Remember you are the author and, as such, you have authority. While authors do need reviewers’ input (at least, when it’s constructive), and your work should benefit from intelligent use of their feedback, you don’t have to do everything a reviewer says. Also, a rejection is only a rejection from this journal or publisher. It doesn’t mean your work is worthless; sometimes it’s only because they already have plans to publish something that is similar in some way. This post should help you make the best use you can of reviewers’ comments. That will produce the greatest benefit to your work and career, and is also a way to respect and honour the time and care (most) people put into writing reviews.

I Finished The Book!

Research ethics in the real world [FC]For the last three-and-a-quarter years I have been writing a book on research ethics. It has been like doing another PhD, only with reviewers instead of supervisors. Four sets of reviewers: two sets of proposal reviews and two sets of typescript reviews. I have to thank my lovely publisher, Policy Press (part of Bristol University Press), for giving me so much support to get this book right.

This has been the hardest book I’ve written and I hope never to write another as difficult. On the plus side, I’m happy with the result. It is different from other books on research ethics in three main ways. First, it doesn’t treat research ethics as though they exist in isolation. I look at the relationships between research ethics and individual, social, institutional, professional, and political ethics, and how those relationships play out in practice in the work of research ethics committees and in evaluation research. That makes up part 1 of the book.

Second, it demonstrates the need for ethical thinking and action throughout the research process. In part 2 there is a chapter covering the ethical aspects of each stage of the research process, from planning a research project through to aftercare. There is also a chapter on researcher well-being.

Third, the book sets the Indigenous and Euro-Western research paradigms side by side. This is not to try to decide which is ‘better’, but is intended to increase researchers’ ethical options and vocabularies. I am writing primarily for Euro-Western readers, though the book may be of use to some Indigenous researchers. There is a sizeable and growing body of literature on Indigenous research and ethics, including books, journals, and journal articles. Using this literature requires care – as indeed using all literature requires care (see chapter 7 of my forthcoming book for more on that). But Indigenous literature, as with other literatures by marginalised peoples, requires particular care to avoid tokenism or appropriation.

Many Euro-Western researchers are completely ignorant of Indigenous research. Some know of it but are under the misapprehension that it is an offshoot of Euro-Western research. In fact it is a separate paradigm that stands alone and predates Euro-Western research by tens of thousands of years. Some Indigenous researchers and scholars are now calling for Euro-Western academics to recognise this and use Indigenous work alongside their own. My book is, in part, a response to these calls.

It was so, so hard to cram all of that into 75,000 words – and that includes the bibliography which, as you can imagine, is extensive. There was so much to read that I was still reading, and incorporating, new material on the morning of the day I finished the book. I’ve found more work, since, that I’d love to include – but I had to stop somewhere.

I awaited my final review with great trepidation, aware of the possibility that the reviewer might loathe my book – some previous reviewers had – and that that could put an end to my hopes of publication. Was I looking at three-and-a-quarter years of wasted work? I was so relieved when my editor emailed to say the review was positive. Then the reviewer’s comments blew me away. Here’s one of my favourite parts: “In my view the author through excellent writing skills has covered very dense material (a ton of content) in a very accessible way.”

I was even more delighted because this review came from an Indigenous researcher. She waived anonymity, so I have been able to credit and thank her in the book. I will not name her here, as I do not have her permission to do so; you’ll have to read the book if you want to find out.

Finishing a book feels great, and also weird. It’s like losing a part of your identity, particularly with a book you’ve lived with for so long. Though there’s still lots of work to do: I have to write the companion website, give input on the book’s design, read the proofs, start marketing… publication is due on 1 November, which feels a long way off but I know how quickly five months can pass.

I think this book will be controversial. A senior and very knowledgeable academic told me that one reason I could write such a book is because I’m not in academia. I’m glad if I can use my independence to say things others cannot say – as long as I’m saying useful things, at least.

More than anything else, I hope the book helps to make a difference. In particular, I would like to make a difference to the current system of ethical regulation which is too focused on institutional protection and insufficiently focused on ethical research. It is also terrible at recognising and valuing the work of Indigenous research and of Euro-Western community-based or participatory research. When I was preparing to write the book, I interviewed 18 people around the world and promised them anonymity. Some were research ethics committee members and others had sought formal approval from ethics committees (or institutional review boards in the US). I heard tales of people completing ethical approval forms with information that committees wanted to see rather than with actual facts; people teaching students how to get through the ethical approval system instead of teaching them how to conduct ethical research; people acting ethically yet in complete contravention of their committee’s instructions; people struggling to balance ethical research with Indigenous communities with the inflexible conditions set by ethics committees. Although many of the people who serve on ethics committees are highly ethical, the system within which they are forced to work often prevents them from acting in entirely ethical ways. It seems to me that this system is not currently fit for purpose, and there are many other people who think the same. I hope the evidence I have gathered and presented will help to create much-needed change.

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