Research and Stories, Part 2

My recent post Research Is All About Stories got a big reaction on the socials. I encouraged people who tweeted me to add their comments to the blog, which several of them did. They made some really useful points that I’m going to amplify in this post. Also on Twitter Hoda Wassif recommended The Science of Storytelling by Will Storr which I am now reading. It’s an excellent book and quite an eye-opener, even to someone who has been interested in stories and storytelling for many years.

In my last post I said that stories are used all around the world, and I stand by that, but I have learned from Storr’s book that there are cultural differences in the types of stories which are told. Stories told in Europe (and therefore, by extension, stories told by European settlers and their descendants in the US and Canada) generally focus on a courageous individual who can create change, and have a clearly defined ending. Stories told in China usually focus on a group or community, involve multiple perspectives, and have an ambiguous ending which the reader can figure out as they please. European readers take pleasure in a story’s resolution; Chinese readers take pleasure in deciding on their preferred solution to narrative puzzles.

Of course it’s not quite that simple. There are elements of ambiguity to the ending of some European stories, and I would suspect there are elements of resolution to the ending of some Chinese stories. And other cultures treat stories differently again. The Indigenous writer Jo-ann Archibald/Q’um Q’um Xiiem, in her book Indigenous Storywork, tells us that in the oral traditions of Indigenous peoples, stories are used for many purposes, such as education, entertainment, healing, ritual, community, and spirituality. A storyteller will select a story for a particular occasion and reason, and will tell it in their own way, as honestly and clearly as they can. The listener is expected to listen fully, engaging their emotions as well as their cognition, and visualising scenes and interactions.

The key point for us, as researchers, is to understand that if we are using stories with participants and/or audiences from a variety of cultures, they may have a different understanding of what constitutes ‘story’ and what stories are for. We need to know about this if we are to do our work effectively.

In response to my last post on stories, Pauline Ridley helpfully questioned my assertion that ‘we all do know, when we read or hear or watch a narrative, whether it tells a truth’. She pointed out that ‘Unfamiliar stories, outside the listener’s experience, may take longer to penetrate before they ring true.’ This chimes with the information I have gathered about the different ways in which stories are told and used within different cultures. I should know better by now than to treat anything as widespread as stories as a single homogenous category, but clearly I have some way to go!

Damian Milton and Olumide Adisa on Twitter, and Hala Ghanem on the blog, all made the important point that we need to consider who is telling a story and whose stories are being told – and heard, and acted upon. Storytellers have power, and for some years researchers thought a good, ethical, use of our power was to use our stories to ‘give voice’ to marginalised people. More recently we have begun to see this as paternalistic and to recognise that others’ voices are not ours to bestow. Marginalised people already have perfectly good voices, which researchers might usefully amplify at times, by helping to ensure those voices are heard by people in power. One reason stories are useful for research is that a story poses and investigates a question. So does a research project, albeit in a different way, but the parallel is clear. Stories are useful for research in a multitude of ways: on funding applications, as data, in reports and presentations, among others. I’m not sure it would be possible to complete a research project without involving a story somewhere, somehow. Anyway, I wouldn’t want to try. My human brain is hardwired to create stories; I would rather recognise and acknowledge this, and work with it rather than against it. Bring on the stories!

This blog, and the monthly #CRMethodsChat on Twitter, is funded by my beloved patrons. It takes me at least one working day per month to post here each week and run the Twitterchat. At the time of writing I’m receiving funding from Patrons of $68 per month. If you think a day of my time is worth more than $68 – you can help! Ongoing support would be fantastic but you can also make a one-time donation through the PayPal button on this blog if that works better for you. Support from Patrons and donors also enables me to keep this blog ad-free. If you are not able to support me financially, please consider reviewing any of my books you have read – even a single-line review on Amazon or Goodreads is a huge help – or sharing a link to my work on social media. Thank you!

Research Is All About Stories

My assertion that research is all about stories is probably less divisive and controversial now than it was 15 years ago when I was finishing my PhD. Still, I’m sure there are plenty of researchers who would disagree. Let me put my case and see whether I can convince some of them to come over to the fun side.

Stories are a key part of how human beings interact. To the best of my knowledge, there is no human community or culture in the world which does not use stories to communicate. We also use stories for entertainment – skilled oral storytellers and story singers have been popular entertainers since time immemorial, and the huge popularity of more recent media such as books and films speaks for itself.

I have argued earlier on this blog that stories are also valuable for learning. Communication and learning are central to research, and there is a role for entertainment, too. So we can see that stories might be a good fit. But, Helen, you might be saying at this point, shouldn’t research be about facts and the truth? Well now, let’s think a little about truth. In the English oral storytelling tradition, a teller will sometimes close a story with a short rhyme:

The dreamer awakes, the shadow goes by,

I told you a tale, my tale is a lie.

But heed to me closely, fair maiden, proud youth,

My tale is a lie – what it tells is the truth.

In a journal article I wrote with Lucy Pickering on the ethics of presentation, we said something very similar in a more academic way. Drawing on the work of Bakan and others, we distinguished between ‘literal’ truth and ‘real’, or authentic, truth. The former deals with facts, the latter deals more with feelings; what ‘rings true’, to use a metaphor whose source seems lost to history. Blacksmiths? Musicians? Campanologists? Who knows?. But we all do all know, when we read or hear or watch a narrative, whether it tells a truth.

Lucy Pickering and I argued that research needs an appropriate balance of literal and authentic truth. That balance will shift between topics and disciplines, but there always needs to be some of each. Even in the most quantitative research, a story is still necessary; the researcher can’t simply present pages and pages of tables, calculations, graphs and charts without a written narrative directing the reader to the salient points – how this calculation was chosen, why that outlier is important, the implications of the significance level for practice and policy.

Scholars of story Louise Phillips and Tracey Bunda, in their excellent book Research Through, With And As Storying, suggest that stories can be experienced as theories. I agree with this, and would extend it to suggest that theories can be experienced as stories. In fact I could go further and say that theories used and/or developed by researchers, whether formal or informal, are stories: stories about how the world can be shaped and about how we see the world.

In Unflattening, Nick Sousanis describes stories as ‘that most human of activities, the framing of experience to give it meaning’ (p 95). Which is exactly what researchers do, especially if they are using qualitative techniques.

Asking ourselves the question, “What’s the story here?” can be helpful at many points in research work. We should have a clear story to tell of why we are doing our research, and another to explain what the research is about. When we come to report on our research, whatever the medium – written, presented remotely, presented in person, video, animation, multi-media, whatever – we should be using stories. Stories are engaging, informative, and memorable. Surely that’s exactly what we want our research to be.

This blog, and the monthly #CRMethodsChat on Twitter, is funded by my beloved patrons. It takes me at least one working day per month to post here each week and run the Twitterchat. At the time of writing I’m receiving funding from Patrons of $67 per month. If you think a day of my time is worth more than $67 – you can help! Ongoing support would be fantastic but you can also make a one-time donation through the PayPal button on this blog if that works better for you. Support from Patrons and donors also enables me to keep this blog ad-free. If you are not able to support me financially, please consider reviewing any of my books you have read – even a single-line review on Amazon or Goodreads is a huge help – or sharing a link to my work on social media. Thank you!

History, Truth, Research and Choices

I didn’t get on too well with history at school. It was all about kings and queens and battles, people and events I couldn’t identify with. I enjoyed historical novels if they were about times that had relevance for me, e.g. the first world war (in which my maternal grandfather fought) or the second world war (in which my paternal grandfather fought). But in general I preferred the contemporary world I knew, and books and films set there.

In the late 1980s I discovered revisionist history. I loved The Women’s History of the World by Rosalind Miles (later rebranded as Who Cooked the Last Supper?), which was an eye-opening book, clever, funny, and a welcome counterpoint to all the male-dominated history I’d read. I was fascinated by Peter Fryer’s books Black People in the British Empire, which demonstrated that the British empire was based on exploitation and oppression, and Staying Power: The History of Black People in Britain, which showed how Black people had been present and influential in British society for two thousand years. (The link is to a recent edition of this book with a new foreword by Gary Younge – if you haven’t come across it and you’re interested, I would recommend a read.)

More recently I have read Inglorious Empire: What the British did to India by Shashi Tharoor (2017), An Indigenous Peoples’ History of the United States by Roxanne Dunbar-Ortiz (2014), and The Inconvenient Indian by Thomas King (2013). I would recommend each of these books for their perspective, dignified approach, and eloquent writing.

At the start of lockdown, some kind neighbours along my street set up a book exchange for our community outside their house. A few weeks ago I found a copy of The American Future by Simon Schama, a high-profile and respected British academic historian, award-winning writer and broadcaster. This book has four sections:

  1. American War (civil war, World War Two, Vietnam)
  2. American Fervour (religion – mostly Judeo-Christian)
  3. What is an American? (immigration, primarily of Germans, other Europeans, Mexicans and Chinese people)
  4. American Plenty (shift in mindset from infinite to finite availability of land and resources)

With my new awareness of the position of Indigenous peoples in the US, thanks to the work of Roxanne Dunbar-Ortiz and Thomas King, I wondered what Schama said on the subject. The subtitle of his book is A History From The Founding Fathers to Barack Obama, which didn’t fill me with optimism. And sure enough, Indigenous people barely feature in sections 1-3. There is a brief acknowledgement in the prologue on page 14 that ‘Native American tribes’ in Iowa might have had a different viewpoint from ‘Canadian troopers’ on whether Iowa had ever experienced war. There is a brief mention on page 114 that in the late nineteenth century, the army was involved in ‘finishing off Native Americans’. And other such mentions in passing – until section 4, pages 316-330, a subsection called ‘White Path 1801-1823’, which tells the story of the Cherokee people in Tennessee. Schama evidently attempts to use a reasonably even-handed approach: he acknowledges the Cherokee perspective and recognises at least some of the injustice done to them through broken promises, land grabs and forced relocations. He describes president-to-be Andrew Jackson as ‘unexpectedly brutal’ and says that ‘extinction’ [of Indigenous peoples] ‘was an actual policy determined by actual men’ (322). Schama also describes Jackson as ‘the ethnic cleanser of the first democratic age’ (326).

The story of American history from the late 18th century to the present day is told very differently by Dunbar-Ortiz. She acknowledges Jackson as ‘the implementer of the final solution for the Indigenous peoples east of the Mississippi’ (96). She points out that ‘In the 1990s, the term “ethnic cleansing” became a useful descriptive term for genocide.’ (9) And she identifies ‘four distinct periods’ where documented policies of genocide were created by US administrations. The first is the ‘Jacksonian era of forced removal’, and then ‘the California gold rush in Northern California; the post-Civil War era of the so-called Indian wars in the Great Plains; and the 1950s termination period’ (9).

Having already read Dunbar-Ortiz and King, the way Schama tells the story seemed to me to involve a lot of erasure of Indigenous peoples. And sometimes, due to his narrative choices, his writing seems quite tone deaf. ‘The dream of American plenty for the ordinary man was born from Andrew Jackson’s determination to evict tens of thousands of Indians – Chickasaw, Choctaw, Seminole and Creek as well as Cherokee – from the only homelands they had ever known, because they happened to be in the way.’ (323) Recognition of Andrew Jackson’s atrocities doesn’t hide the division Schama draws between ‘the ordinary man’ and ‘Indians’. That raises a whole bunch of ugly questions. He doesn’t engage with any of them.

Dunbar-Ortiz writes about the impact of history itself as its scholars work to protect ‘the origin myth’ of the Founding Fathers and independence. That origin myth ‘embraces genocide’ (2) which is ‘often accompanied by an assumption of disappearance’ (xiii). I see this in Schama’s engaging, entertaining, readable writing: the overall message is that some Indigenous people were badly treated, a long time ago, in a sub-plot to the major storyline of independence and democracy in a nation of immigrants. A Spectator review on the back of the book reinforces this point by claiming that Schama is ‘weaving the immediate present with [America’s] earliest history’. That ‘earliest history’ is somewhere around 1775. Dunbar-Ortiz, meticulously and forensically, establishes the existence of sophisticated societies and cultures in America thousands of years ago.

Schama’s book was first published in 2008, Dunbar-Ortiz’ in 2014 – but most of her sources are pre-2008, so they would also have been available to him. It is both fascinating and nauseating to read these two very different accounts of what is ostensibly the same history. The authors have completely different perspectives and narratives. And this, for me, is the key learning point. When we conduct research or scholarly work, we bring a perspective and we choose a narrative. Dunbar-Ortiz is open about this, talking about starting a dozen times before she settled on a narrative, and outlining where she sits within relevant debates around Native American scholarship (xii-xiii). Schama simply launches in to an authoritative tale.

The narratives selected by researchers and scholars both reveal and conceal. It is not possible to tell everything that could be told. With this comes huge responsibility. We need to tell the most important, most necessary stories – but that in itself raises new questions. Most important and necessary to whom, for what, and why? Which other stories could we tell? How do we know those stories are not every bit as important and necessary? With the story we choose to tell, how can we acknowledge what we are leaving out as well as what we are focusing on?

This is a complex business and there are no easy answers because each case will be different. What is essential is to be aware of the issues and to use our authorial power as wisely as we can.

This blog, and the monthly #CRMethodsChat on Twitter, is funded by my beloved patrons. It takes me at least one working day per month to post here each week and run the Twitterchat. At the time of writing I’m receiving funding from Patrons of $57 per month. If you think a day of my time is worth more than $57 – you can help! Ongoing support would be fantastic but you can also make a one-time donation through the PayPal button on this blog if that works better for you. Support from Patrons and donors also enables me to keep this blog ad-free. If you are not able to support me financially, please consider reviewing any of my books you have read – even a single-line review on Amazon or Goodreads is a huge help – or sharing a link to my work on social media. Thank you!