Cartoons, comics, and graphic novels in research and academia are having a moment. Actually it’s a bit more than a moment, but before I go into that, let’s start with some definitions. In terms of the visual arts, as I understand it, a cartoon is generally understood to be a single drawing; a cartoon strip or a comic strip is a series of a few sequential cartoons. Comics and graphic novels are more interchangeable terms for longer works, though people tend to use ‘comics’ to refer to the more lightweight end of the spectrum or reading matter for children. Conversely, ‘graphic novels’ are viewed as more serious and adult. In fact, though, they’re essentially the same thing: a graphic art medium for storytelling.
Academics from a range of disciplines are beginning to realise that this form has a great deal to offer for research communication and teaching. It is taught in some universities, though usually bundled in with other arts techniques such as illustration or animation. Few universities are offering sequential graphic art as a stand-alone or interdisciplinary subject at present, though there are some exceptions at undergraduate and postgraduate levels in the UK and the US. For example, in the UK, Staffordshire University’s BA in Cartoon and Comic Arts has been running for some years now. In the US, the University of Oregon offers an interdisciplinary Comics and Cartoon Studies minor, and Minneapolis College of Art and Design offers a Comic Arts major option on their Bachelor of Fine Arts degree. Savannah College of Art and Design offers undergraduate and postgraduate degrees in sequential art, which are also available in Hong Kong and online. California College of the Arts offers a Master of Fine Arts degree in comics, as does the Center for Cartoon Studies in Vermont. No doubt there are others too, though I haven’t found any outside the US/UK. For example, there are no such courses in Australia at present, though the Sydney Comics Guild suggests keeping an eye on MIT in Melbourne, presumably because they may run one in time to come.
Although the UK has few courses, it does have other initiatives. For example, the Journal of Graphic Novels and Comics is based in the UK. This journal focuses on the production and consumption of comics in their cultural, institutional, and creative contexts. An international Research, Outreach and Pedagogy Network (ReOPeN) for graphic novels and comics is based at Lancaster University. A mini-conference on comics and graphic novels in academia was held in Kendal in October, part of the Lakes International Comic Art Festival. I was lucky enough to go to this and meet academics working with comics and graphic novels from as far afield as Perth, Australia, as well as closer to home. Then there’s this free event in London tomorrow (tickets still available!) on graphic social science, which I will also be attending. Next year in London the historians are holding a two-day conference on the pre-modern world in comics. And it’s not only the academics who are using comics: this video demonstrates the use of graphic art, animation, and puppets in health evaluation research.
Comics are also being used for communicating science and medicine. As these links suggest, there is also a wider international focus on graphic art in academia and research. For example, the PathoGraphics conference in Berlin last month looked at the use of comics to communicate about illness and disability, and a recent Twitterchat via the #MethodsMatter hashtag focused on work in this area from various African countries.
I’m sure there are many more examples. I was teaching writing for publication to staff at the University of Derby yesterday and I mentioned graphic novels. One staff member said she didn’t like them as a reader, but she thought she should take steps to overcome her dislike, because she understood they were gaining traction. Another staff member, Dr Katy Vigurs, had been involved in producing a comic about student debt with students in her previous role at Staffordshire University. There’s a lot of this about, and it’s growing. So I think comics and graphic novels in research and academia are not so much having a moment as becoming a movement.