The ‘blurb’ is the text on the back of a book’s cover which tells you what the book is about. It’s not simply a description, though; it is also a sales tool. For this reason some people find blurbs difficult, even distasteful to write.
Do you want to know a secret? I love writing blurbs. This is partly because I love writing and I always enjoy a different and interesting wordsmithing job. It’s also because I enjoy a chance to show off. For the same reason, I like being interviewed for contracts, giving keynotes, and running workshops. Generally speaking, showing off is regarded as bad form, but these are situations where you’re supposed to show off. And so is writing a blurb.
I do understand why blurb writing can feel difficult and distasteful for some people, particularly academics who are trained not to over-claim – and so may spend much of their time actually under-claiming in their efforts to follow academic convention. Generally speaking I think that’s a good thing, but when you’re writing a blurb, you need to use a different register. If you’re one of the people who finds blurb-writing difficult – or perhaps you’re coming to this task for the first time – these tips should help you to write an irresistible blurb.
- Start by studying some blurbs of books in your field. Take note of what appeals to you, what puts you off, and in particular what might encourage you to open the book and start reading.
- Go back to your book’s proposal and manuscript reviews and pull out every complimentary word, phrase and sentence into a new document. Think about which of these you could use in your blurb, and how.
- Revisit the proposal you wrote for your book. Look for ideas or wording you can use in your blurb.
- Explain as clearly as possible what your book does that no other book does.
- Use strong language. I don’t mean swearing (unless you’re in a very particular kind of sub-genre), I mean words like “first”, “brilliant”, “ground-breaking” – especially such words that were used by your reviewers and/or in your proposal. This kind of language inspires curiosity in potential readers.
- Specify who your book is for. This could be by category of people (students, teachers, early career researchers) or by interest (e.g. anyone with an interest in urban design and planning).
- Work hardest on the first sentence; it’s the most important. Make it as compelling as you can.
- Work almost as hard on the last sentence. Fiction blurbs often use a cliff-hanger (“Will Curtis ever recover from his terrible ordeal?” “Can Lila catch the serial killer before more nurses die?”). Academic books can rarely do this but at least we can try to be intriguing.
- Make every single word count. Blurbs are usually limited to 100-150 words so there’s no room for waffle.
- Expect input from your publisher’s marketing people. They’re good at this kind of thing. For example, the second sentence of the blurb for Research and Evaluation for Busy Students and Practitioners says “Brilliantly attuned to the demands placed on researchers, this book considers how students, academics and professionals alike can save time and stress without compromising the quality of their research or its outcomes.” I have to credit Kathryn King, marketing manager at Policy Press, for most of this sentence, perhaps all, and certainly its opening.
- If you don’t get input from your publisher – or even if you do – test out your blurb on a few friends or colleagues who you can trust to give you honest constructive feedback.
- Be prepared to revise and revise and polish and polish and revise some more.
One piece of advice often given to blurb writers is to be sure to use your own voice. I only agree with this up to a point, because it’s not like any of us only have one voice. Think how you might talk to a tired two-year-old or to a police officer who has just stopped you in the street. Different voices, right? And so it is with books and blurbs. In the book, you’re talking to your reader; you know they’re there with you. In the blurb, you’re trying to persuade them to join you. Again, think how your voice might differ in equivalent real-life situations: perhaps where you’re chatting to a friend over a table in a coffee shop, versus standing in the street trying to persuade your friend to join you for a coffee when you really want them to say “yes”.
Ultimately, that’s what your blurb needs to do: persuade potential readers to say “yes”, to become actual readers, to take your words and ideas along with them.
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I only know one person, now, who shares Facebook posts saying things like ‘share this post and your dearest wish will come true by midnight’. I haven’t seen a really horrible digital chain reaction (“share this or one of your friends will DIE”) for a long time. Most digital chains seem to have morphed into forms of niceness, particularly among women, at least in my corner of the cybersphere. But I still don’t pass them on.
Taking to Twitter this morning as usual, I discovered that today is Random Acts of Kindness Day (aka #RandomActsOfKindnessDay). My first thought was bah, just one day? One out of 365 (or even 366 in this leap year)? That’s rubbish; let’s commit random acts of kindness EVERY day!
Recently I’ve been writing books in collaboration with other authors. I collaborated with 
I was doing a telephone interview for a client this morning and my interviewee, let’s call them Ali, said something that made me stop and think. Ali had spent around 35 years working for local government and was talking about the devastation of public service budgets in the UK which has left some local areas with no services for those in need of support as a result of mental health problems, domestic violence, chronic illness, and so on.
There’s lots I could write about this week. I could write a post around my new book, out this very week: 
This has been a helluva year workwise. I could focus on that: calculate how many train journeys I’ve taken, how many beds I’ve slept in – it would be a lot. That’s mainly why I’m so tired, I think. I’m not short of material for this blog; I’m short of energy. I need a break. So I’m going to have one. Beginning on Friday, when I won’t have done all the jobs I wanted to do, but I will have done all that I can. I’ll start work again on Monday 30 December, but I’m going to take a slightly longer digital break – I’ve already ducked out of Instagram, and I’ll be weaning myself off Twitter and Facebook over the next few days. I’ll be back online, in the New Year, when I’m ready. This blog, too, will be quiet now until the first full week of January. I wonder what I’ll post about then… I envy my fellow bloggers who can generate several posts in one go; I almost always write mine the same week as I publish them. It’ll be a whole new decade. I wonder if I will feel any different. I doubt it, really – except for, I hope, a little less tired.
I’ve been writing steadily since 2011, and I’ve just done my accounts for 2018-19. I have published three full-length books (one in 2018) and one second edition (in 2017) for my main publisher. I’m now writing for two other publishers and have received several small advances for those books. When I say ‘small’, I mean between £125 and £500, so nice to have in the bank but not at all representative of the amount of time I spend writing the books.
This is a crazy year of writing. A 
I am all in favour of people asking for what they want and need. It’s useful for each of us to figure out what we really want, what we need, how much of that we can sort out for ourselves, and what we need to ask from others. However, as my work has become more widely known, I have begun to receive more and more requests for help from people I have never met offline or interacted with online. I want to help where help is needed, but some of the requests I get are quite unreasonable. For example, I got an email from a stranger asking me to write their doctoral thesis for them, because they were unwell, and because God would reward me in heaven for my good deed. There is so much wrong with this request. To begin with, I would never write someone else’s doctoral thesis for them, or even part of one, because that would be highly unethical. I do take writing assignments on a professional basis – which means I get paid in actual money (or I don’t take the work). Also, assuming someone shares the same beliefs as you is not sensible and, I would argue, not ethical.
I’ve written 
Helen Kara 