I am on a solo writing retreat, on the south coast of England. The photograph shows my workspace for this week and next. I’m in an unfashionable area so it’s comparatively cheap. I looked at Cornwall, initially, and found a sea view meant that even a studio flat would cost over £1,000 for a fortnight at this time of year. Here I’ve been able to rent a whole house for much less, and that means I can have friends to visit at the weekend which will be fun.
But from Sunday to Friday of this week, then Monday to Friday of next, I have 11 uninterrupted days to write. I know some people prefer communal writing retreats, but I’m such a compulsive communicator that if I went on one of those, I’d probably spend more time talking to people than typing words. Despite being a sociable person, I also enjoy my own company, so some solitude is a welcome change from my usual densely populated life.
There are 15 tasks on my to-do list ranging from guest blog posts to books. Of course I don’t expect to finish them all – indeed, five depend on input from other people which may or may not arrive during this fortnight. But I do expect to make significant progress with several, tick off at least three, and reach ‘next draft’ stage with at least two others.
Having a bunch of tasks to choose from helps my productivity. If I’m growing weary of one task, and losing interest, I can turn to a different challenge. And when I simply get tired of writing altogether, a little reading or a short walk will refresh my mental muscles.
I love to write with a sea view. Some people find it distracting, but I find it relaxes me and all the space of sky and depth of sea somehow offers more room for creativity. Though today, with gales and huge waves striking the shingle shelf opposite so hard that the spray hits the second-floor window in front of me and I can feel tremors through the house where I’m sitting, it is a tad distracting at times. But I’ve ticked off the first of the items to tick off, this morning, so I’m allowing myself a little sea-gazing now and then.
I also enjoy the way in which working on one task can shed light on another, seemingly unrelated, task. There’s a feeling I experience when I’m making meaning, as if everything is connected to everything else in a myriad of beautiful ways. I can never see or know the whole, but sometimes, through the interaction of thoughts and words and being and doing, I can comprehend a little more of the pattern than usual. It is not, and will never be, within my grasp, but now and again I can almost touch it, and maybe, if I reach a little further, think more, move more… I find that sensation addictive, and it’s a big part of what keeps me writing.
I am very, very lucky to be able to give myself this space to write. It’s not often I have both the money and the time. And I wouldn’t want to work like this always, but I find it really helpful, now and again, for making a good deal of progress in a short time. So it’s both self-indulgent and productive, which is a rare combination.
Sometimes the writing is smooth and steady, sometimes words spill onto the screen as my fingers hammer the keys. Sometimes I can see my way ahead clearly, other times my view is obscured. But, like the waves, the words keep coming.
Last week I presented at a seminar at the
In the last few weeks I have been asked to deliver seminars at the universities of York and Leicester. I had the time and would have enjoyed the experiences. Also, in both cases, the people inviting me were my friends. So why did I say ‘no’?
I guess by now pretty much everyone knows that it’s not a great idea to spend the majority of your time sitting down. But when you’re a researcher and a writer, that’s exactly what you do, at your desk, often all day every day. Now and again you get to go out and sit down in your car, or on a train, till you get to a meeting where you sit down and talk to people. Not a great improvement, as I’m sure you’ll agree.![Creative research methods in the social sciences [FC]](https://helenkara.com/wp-content/uploads/2015/05/creative-research-methods-in-the-social-sciences-fc.jpg?w=108&h=150)
I began work as an indie researcher in 1999. Over the next seven years I completed dozens of research contracts, an MSc, and a PhD. I also built up a good professional network, mostly in the English Midlands where I live. The people in my network ran local government departments and charities. They liked me and I liked them: we would meet for coffee, or lunch, and talk shop. After I was awarded my PhD in 2006, I rarely had to apply for work; mostly I was simply offered small contracts that I could complete alone, or slightly larger ones where I might sub-contract some of the work to a colleague. And on the rare occasions when I did write a tender for a local organisation, sometimes I was the only applicant, or the commissioner would have two or three to choose from.
When I’m teaching research methods to postgraduate students, I encourage them to be comfortable with uncertainty. After all, research is a quest to discover the unknown, so if you’re already certain about everything you’re probably not doing it right. But if you want to be an indie researcher, you need to be comfortable with a higher level of uncertainty than most.

One sole authored book chapter submitted, reviews received and dealt with
As for the top secret project: it’s something I’m really excited about, and it won’t be top secret for ever. As soon as I’m ready to go public, you, my dear blog readers, will be the first to know.
When you’ve published an academic journal article or two, you start getting emails which, at first sight, seem very flattering. They praise your previous work, or your expertise, or both, then invite you to write an article for their journal, or to edit a special issue, or produce an e-book. But when you look more closely, these emails start to look a bit odd. Some ask me to write for journals in medicine, life sciences, or STEM disciplines, all areas in which I have little knowledge and no expertise. Others want me to take on onerous editing responsibilities, sourcing articles from prestigious scholars in return for one whole free electronic journal issue or e-book. And some are verging on the surreal. Here is an example I did not make up: