Untold Stories of Academia

Posted by Helen Kara

I’ve heard a number of stories, in the last couple of weeks, which suggest that the academy is hurting people. Some of these stories have been in the mainstream media, e.g. the Guardian article on the inability of universities to support students who are the victims of sexual violence. Some have been on social media, e.g. this blog post on the experiences of people with disabilities in academia or the comments on this blog ‘About Me’ page, whose author describes himself as having run ‘the whole gamut of the academic track (degree-postgrad-PhD-postdoc-despair)’. And some have been in person, mostly stories of managers who are unsympathetic at best, discriminatory or bullying at worst, and staff who are at serious risk of buckling under the strain.

The Para-Academic Handbook, edited by Alex Wardrop and Deborah Withers, tells more of these stories. Its subtitle is A Toolkit for Making, Learning, Creating, Acting, which sounds positive, but much of the text uses strong language to bemoan the state of higher education today. Staff are ’emotionally drained’, students are ‘burdened by extortionate debt’, para-academics are ‘subjected to the callous mediocrity of temporary contracts that offer absolutely nothing in terms of “career development”, or any kind of rung on the ruthless academic ladder’. This is a ‘landscape where ideals and values are devastated’.

This is fighting talk, though I’m not entirely sure where the battle lies, because I hear other stories too. For example, in the last couple of months alone, one academic has told me of promotion, pleased at the likelihood of being able to use their increased seniority to lever better outcomes for students. I spent time with another academic celebrating their successful research funding bid, and heard about the social problems that research team will now be able to investigate and address. And a young friend found a job just before she graduated with a good degree and a manageable amount of debt; she is happily embarking on her new life this very week.

These stories paint a picture of a landscape where ideals and values are alive, well, and possibly even flourishing. So why are there such opposing experiences? And why do we hear so much more about the negative than the positive?

I wonder whether some people may have a particular set of expectations about academia, which it no longer lives up to – if it ever did. I’m sure there are people who have similar experiences in other professional fields: who want to work on a cruise ship, say, or in a hospital, but when they get there, they find it’s not what they thought it would be and they have to move on. Also, those who interact with academia have specific skills. In particular, they tend to be articulate and good at writing, which may explain why we hear more from those unhappy with academia than we might from those unhappy with cruise ships or hospitals. And, of course, misery is regarded as newsworthy, whereas people doing their work well or getting good results is never going to make the headlines.

Most of the unhappy stories seem to be presented in terms of people struggling with academia. Yet it seems to me that what matters is not the relationship between person and institution, but the relationships between people. For sure, there are real problems caused by the managerialist, corporate, performance assessment culture that has developed in academia. But from the stories I have heard and read, it looks to me as though part of the trouble lies with some managers who dump these difficulties onto junior academics, offloading the problems without providing commensurate support. Conversely, other managers shield junior academics from those difficulties as far as they are able, and help them to navigate the rest.

Again, I’m sure this is not the whole story – but it is a story I don’t see in the mainstream or social media. I hope the negative press that academia is getting at present doesn’t damage the morale of the good managers, as has happened in other professions such as social work. There are a lot of good managers, working hard, mostly unseen, to make their small corner of academia function as well as possible for students, colleagues, para-academics, research participants, and all the people they come into contact with. I know this because I’m lucky enough to work with some of them, and ‘callous mediocrity’ has never been my experience. They are resilient and creative, and they don’t cause harm, they help people. Let’s tell their stories, too.

Data

Posted by Helen Kara

Last week I received a #blimage challenge from @debsnet aka the édu flâneuse. When I came to the photo she had posted to inspire her challengees, it only took me a moment to link those overflowing hands with the data we researchers love to gather.

Data is a Latin plural word meaning ‘things that are given’, though it is used in English as plural or singular (e.g. ‘a piece of data’). In English it refers to information of various kinds: numbers, words, facts, opinions, pictures, tweets – the list is long. Social scientists can amuse themselves for hours by arguing about what constitutes data. There is a popular saying that ‘anecdote is not data’ although, when a qualitative researcher collects anecdotes from interview and focus group participants, data is exactly what they become.

Different types of researchers have different ideas about what constitutes data. To an anthropologist, an interview transcript may be only interesting for its textual content, while for a conversation analyst, the length of the pauses may be a fascinating aspect of that data. Some researchers treat focus group data just like interview data, while others see the interactions between people in the focus group as an enriching layer of extra data. For some people, data is collected; for others, it is constructed. I use ‘gathered’ when I want to encompass both perspectives.

Then there is ‘big data’: data generated by national governments, or by technology, which is so copious that it requires whole new methods of analysis and new words to describe its size like exabyte, zettabyte, or snakebyte (I might have made up one of those). Big data challenges the etymological suggestion that data is ‘given’ because big data is often a by-product of other activity, such as using social media or loyalty cards. This is an ethical minefield. For example, people may not realise that their data is of value to the companies running the facilities they use, and it can be difficult to track individuals down to seek consent for their data to be used in research.

You can do all sorts of things with data. For example, you can prepare data, code data, analyse data, synthesise data, visualise data, present data – and, if you’re like me, you can love data. In fact, I adore data! A new dataset to explore is so exciting because I never know what I might discover. I guess it’s the same feeling an archaeologist gets when they’re starting a dig, or an antiques dealer opening a box from a house clearance. There might be treasure in here! And even if there isn’t, even if there are only mundane things, I will still have seen something I hadn’t seen before, and maybe learned something new, or at least increased my experience.

You can also abuse and misuse data, by picking out the parts that support the argument you want to make, rather than preparing, coding, and analysing data as rigorously and honestly as possible. We are all susceptible to biases such as confirmation bias and hindsight bias, and there is only so much any one of us can do to counteract these. This is part of the reason for the scholarly peer review process, where others can scrutinise your work to check for bias. It is also why researchers encourage each other to track the links in our writing from research design, through data collection and analysis, to findings and conclusions, so that our processes and influences are clear to readers and they can make their own mind up about any biases they may perceive in our work.

It’s not only individual researchers, though, who abuse and misuse data. Research commissioners in every sector regularly bury data-based findings that don’t align with their political or organisational aims. And the media is notorious for putting spin on such findings. This has led to the establishment of independent fact-checking organisations such as Fact Check in the US and Full Fact in the UK.

It is easy to develop conspiracy theories about the ways in which governments, corporations, and the media use and misuse data. It is harder to do the tough research work necessary to counteract this, as far as we can, by producing firm findings, based on enough good-quality data, and presenting those findings in clear and understandable ways. To do that, we have to gather our data carefully, with a solid rationale for why we gathered it in the ways we did, so that we can be confident about the status and limitations of our data and about the findings we draw from its analysis. This is not easy – but it is possible, and it is our responsibility as researchers to do this work to the best of our abilities.

best spiderwebs Now, a #blimage challenge for Naomi Barnes: I look forward to seeing what she makes from this picture. And if anyone else would like to use it for inspiration: help yourself!

International work: the glamour and the reality

Posted by Helen Kara

photo by Prayitno via Flickr

My first international assignment was in Damascus, Syria, in 2008. I went on behalf of Liverpool John Moores University and they made most of the arrangements. I was teaching qualitative research methods to postgraduate doctors. The journey and the first day were terrifying, but overall it was an amazing, worthwhile experience. I’m so glad I was able to experience a little of that beautiful country before it was torn apart by war. And by sheer luck my experience was quite glamorous. The Centre for Strategic Health Studies, where I was teaching, had a flat in Damascus where they accommodated international teachers. There were four single bedrooms with a shared bathroom and kitchen, a bit like student housing. And there was no air-conditioning, just a couple of sleepy fans. But when I arrived, all four bedrooms were full, so they had to put me up in a hotel, which turned out to be the Sheraton. Result! Aircon, swimming pool, room service… I’d never stayed anywhere so posh in my life, and I loved the luxury.

My second international assignment is this coming autumn in Calgary, Canada. Of course Canada is very different from Syria: politics, weather, level of freedom, food – pretty much everything. But this trip is also different because I am making the arrangements myself. I’ll be teaching postgrads at the University of Calgary and at Mount Royal University, and practitioners for the library service, as well as giving a keynote speech at a conference. That’s a whole lot of organising to do. I didn’t factor this in to my costs – a useful learning point for me!

I know another freelance writer and teacher who works internationally and charges £3,000 per day, with no discounts under any circumstances, not even for charity. I’m beginning to understand why. There is a huge amount of preparation, you lose days to jet lag, and there is also, inevitably, follow-up work. If you work independently, and don’t factor this into your costs, it all has to be done in your own time.

For each teaching assignment I need to know a whole bunch of stuff. How many people do you expect? What are their subjects/professions? What level are they? What is the teaching room like? Is this a stand-alone session or e.g. part of a wider module? If the latter, can I have details please?

I need to know these things so I can deliver a session which is appropriately pitched and focused. If I’m doing a half-day on creative research methods, the content may be similar, but the event will look very different if it’s a stand-alone session for 80 mid-career practitioners in a lecture theatre than if it’s part of a research methods module for 10 first-year doctoral students in a classroom.

Then there are all the bookings: flights, internal travel, accommodation, all of which needs to be reasonably priced as I’m being paid from public money. And there are the arrangements to meet up with people. PowerPoint presentations to create. And the emails! Oh, the emails!! Everything from ‘can you provide a reading for the students?’ (I expect so) to ‘can I take you out to dinner while you’re here?’ (yes indeedy!). These emails have been flying back and forth for weeks now, and it’s still three months till I go. And sometimes I need to speak to people; I had a 40-minute call with one woman last week, and I’m sure there will be other calls and Skype chats in the coming months.

I hope you don’t think I’m complaining, because I’m truly not. I’m excited about going to Calgary, it’s a great opportunity for me, and I’m looking forward to the trip. But I didn’t quite realise how much unpaid work I was taking on, alongside the paid work. As a result, I am going to need to rethink my charging structure for next time – though I won’t be charging anywhere near £3,000 per day.

Many people, I know, are envious of my luck in landing this Calgary gig. I feel lucky, and grateful for the opportunity. I’m sure there will be moments of glamour. But honestly, most of it is, and will be, hard graft.

My Next Book

Posted by Helen Kara

Having got my creative research methods book safely launched, and cleared away most of the smaller writing projects that piled up while I was writing that, I’m slowly starting to get into gear for my next book. I’ve written several books now, including two on research methods, and the process for each book is different. For my first research methods book, essentially I wrote down what I knew about research methods and doing research, worked out where the gaps were in my knowledge, learned what I needed to know to fill those gaps, and wrote that down too. The second one was more of a stretch (at one point I found myself whingeing on Facebook about ‘that difficult second research methods book’) but primarily involved collation, as there was a huge amount of relevant work in journal articles and a few pertinent books. It did involve some hard thinking – in fact, they both did but, like childbirth, the pain is soon forgotten.

Unlike childbirth, I expect the labour for my third research methods book to be more painful than for either of its older siblings. This is because my third book will be on ethics. Writing down what I know about ethics wouldn’t take long, and collating other people’s work on ethics would be fairly pointless. For this next book, I need to read, and think, and take it slow, and learn, and think some more, and come up with some new and different ideas and approaches. My embryonic ideas are that I want to show how research ethics is linked with wider-world ethics, at individual, institutional/organisational, and national/political levels. Also, I’d like to unpack the impact of wider-world ethics on ethical thinking, acting, and decision-making in research. This may be ridiculously ambitious, but it feels compelling; it’s something I want to understand, and would like to communicate in a useful way.

My ethics bookshelf

So far, I’ve collected a load of books and some journal articles. I’ve read about a third of one book and about a quarter of another. I haven’t written a word yet, and have barely thunk a thought. I haven’t blogged the process of writing a book before, so this is new, too. It’s quite difficult to write about a process from such an early stage that I don’t really know what I think yet. Also, publishers tend to advise authors to keep ideas close to their chests, in case someone else steals the idea and writes the book faster and better than the author can. So blogging the process feels a bit weird – but I figure this is hardly a commercial bestseller in progress, and it’ll be more useful all round if I share my ideas rather than keeping them to myself.

I’ve started interviewing some experienced researchers, in academia and in practice, to find out how they get on with trying to do ethical research. I want to learn some stuff about how this works, both in terms of research ethics governance and ethical review, and in people’s actual practice. I am regularly frustrated by the over-emphasis on ethics at the data-gathering stage, and the narrow focus on the welfare of participants, at the expense of ethical considerations at other stages of the research process and the welfare of people other than participants. In my view, there are ethical considerations to take into account at all stages of the research process, and everyone touched by a research project deserves to be thought about and cared for. That includes researchers themselves: research can be a stressful and difficult undertaking, and we do nobody any favours if we don’t look after our own welfare as well as that of others.

Remember when I said writing down what I know about ethics wouldn’t take long? That’s pretty much it. Well, OK, maybe there’s a little more. I could probably pontificate about deontologicalism versus consequentialism for a sentence or two, but I’m not that keen to lose readers. This reminds me of another aim for my book: that it should be readable. I talked to my partner about this recently, and he suggested I have an early chapter called ‘The Academic Verbiage’ (actually he used a rather less polite word than ‘verbiage’), so I could put all the complicated words in one place. Then, he said, I’d be able to write the rest of the book in ordinary language. I’m not sure I’ll go quite that far, but I do intend to try to make it clear and understandable. At least, I hope I can…

Ten Top Tips for Successful Collaboration

Posted by Helen Kara

Working in collaboration with others can be a wonderful experience. Writing a journal article with a colleague, or working in a research team with people from other organisations, can be life-enhancing. Ideas build on ideas; tasks are allocated according to people’s strengths and abilities; the results are loads better than anything you could achieve alone.

Collaborative working can also be a monumental pain in the neck. Misunderstandings, missed deadlines, and poor communication can sabotage a project, morphing it from a promising outset into a morass of time-consuming frustration and annoyance, sometimes with nothing to show for all the grief you’ve gone through. That can be particularly galling when you end up apologising for something that was not at all your fault and entirely outside your control.

And you know the really weird thing about working collaboratively? Nobody ever tells you how to do it; you’re supposed to know. But my experience is that many people don’t know how to collaborate well. So here are ten top tips for successful collaboration.

Set sensible deadlines. If you’re happy to write a book chapter that you think will take you a week, but you don’t have that much spare time till six months from now, say so. And if you think it will take you a week, allow a fortnight. Over-committing doesn’t help you or anyone else.

Manage your time well, from day to day and week to week, and at monthly and yearly levels too. Plan, schedule, re-schedule as necessary. Do what you say you’re going to do, when you say you’re going to do it – or explain why you can’t at the earliest opportunity.

Communicate, communicate, communicate. Problems arise in everyone’s life. If you encounter a problem that will affect your ability to meet your commitments, tell everyone who needs to know as soon as you can, and give them a realistic revised date when you’ll be able to get the work done.

If someone else is causing a delay, you may need to take control, particularly if you have contractual or other inflexible deadlines and the delaying person isn’t communicating well – or at all. In that case, the best approach is to send a polite email with appropriate cc’s so everyone knows where the delay originates. But do word your message carefully: the aim is to protect your own reputation without damaging anyone else’s, so stick to the facts.

Don’t throw good time after bad. If you’re collaborating with people who are missing deadlines and not answering your emails, chase them once or twice then stop. Don’t stress about it, just focus on other work.

Accept feedback gracefully, even if it seems unpalatable at first. Don’t take it personally because it isn’t personal, even if it feels personal, even if it looks personal. It’s an opportunity to learn things you’d be very unlikely to learn any other way, even if they’re not the things you wanted to learn. So thank whoever gave you the feedback and make the best use of it you can.

Reflect on your collaborations – with your collaborators if possible, on your own if not. What went well? Why? What didn’t go so well? Why? What would you do differently another time?

Make time to celebrate a collaboration that goes well, or even well enough. If you can meet up with your collaborators, so much the better: go for a drink or a meal together and congratulate each other in person. If not, celebrate online, in a private meeting or via email or social media. Or simply send a card to say ‘thank you’ or ‘well done’.

Whether your collaborators are your colleagues, your students, your staff or your friends, be as professional with each of them as you would be with the most senior person in your field or in your organisation.

When you’re planning a new collaboration, share these tips with your potential collaborators at the earliest possible stage and ask whether they’re willing to sign up to them. If they’re not, don’t go ahead with the proposed collaboration.

Of course sometimes life gets in the way and things go wrong. But when you have a strongly functional collaboration, it is much easier to deal with unexpected difficulties. When unforeseen problems occur and your collaboration is floundering, life can be very miserable indeed. If you and your collaborators follow these ten top tips, none of your collaborations will be the ‘pain in the neck’ variety. They should all work smoothly, at the very least, and may well be wonderful and life-enhancing.

The Art Of Asking

Posted by Helen Kara

Following on from last week’s blog post, I’ve been reflecting on the art of asking, why it can be so difficult, and how to make it easier.

I used to find it difficult to ask for help. I am naturally independent, and grew up on second-wave feminism which preached self-reliance. Asking can be hard because it’s a risk: you’re making yourself vulnerable, exposing your wishes or your needs, and the person you are asking might say ‘no’. You could experience that ‘no’ as a rejection or a slap in the face, as derogatory to your very being in the world. Alternatively, you could reflect that nothing major has changed, you’re still in the same position you were in before, and you have lost nothing. Or you could land up somewhere in between.

Asking can be easier in professional than personal contexts. Asking a librarian to help you track down a book, or the IT support desk to help you solve a techie problem, should be stress-free. You’re entitled to ask and it’s their job to help. But when you’re an indie researcher, those organisational networks of obligation don’t exist. So asking for things in professional contexts can be weird, even paralysing: why would anyone want to help me? Why would anyone be willing to put themselves out on my behalf?

I found myself on a steep learning curve in asking when I developed rheumatoid arthritis a couple of years ago and needed help with opening jars and bottles, moving furniture, doing DIY etc. The writer Laura James expresses the necessity of this eloquently and, like her, I have become shameless about asking for help. This has probably helped me learn to ask in other areas. Amanda Palmer’s wonderful book also provided a timely shove in the right direction.

I’ve learned other things as a result of learning to ask for help. For example, some people are incredibly helpful. Professor Rosalind Edwards is one of these people. I met Ros at a conference in Leicester in early 2014 (which, incidentally, I got to go to because I asked, on Twitter). The previous week I’d been to a meeting at the British Library, where I’m on an advisory panel for the Social Welfare Portal, and Ros’s name was mentioned as someone we could ask for help with publicity through her role as Co-Director of the National Centre for Research Methods (NCRM). So when I realised she was at the conference, I went to ask her for help on behalf of the Portal, and found out that she’s warm and helpful and funny. We chatted on Twitter in the weeks and months following the conference. Another kind and helpful person, Kandy Woodfield, invited me to be on a panel at the 2014 Research Methods Festival, which Ros helps to organise, so we met again then and had a lovely chat on a bench in the sunshine.

A couple of months ago I decided that I would really like to be a Visiting Fellow at NCRM. I had a look online, but couldn’t find evidence of any opportunities. So I asked Ros. She said NCRM didn’t have visiting fellows, but they’d been thinking about whether to start. I said was there any chance they could start with me? She went away and talked to the other directors, and they said ‘yes’.

They said ‘yes’!

So as from this very day, I am a Visiting Fellow at NCRM. Because I asked. I wouldn’t be one, otherwise.

Another incredibly helpful person, Gemma Noon, is currently Impact Evaluation lead at Calgary Public Library. I met her online in the noughties, we met in person once before she emigrated from the UK, and we’ve kept in touch. She stunned me by inviting me to give a keynote in Canada, all expenses paid – my first international speaking engagement! I didn’t even ask! But I did ask Gemma whether she had any contacts with local universities, and she put me in touch with Carol Shepstone at Mount Royal University, and I asked her whether she would like me to do any work for them while I was in the area, and she said ‘yes’. Then, at the creative research methods conference a couple of months ago, I saw Barbara Schneider present her excellent research. Barbara works at the University of Calgary, so I asked her whether she would like me to do any work for her while I was in the area – and she said ‘yes’. So in late October I’m off to Canada, to work for the library service and two universities in Calgary.

They said ‘yes’!

Some of this, of course, is sheer luck, and being in the right place at the right time. And there is an old saying: ‘the harder you work, the luckier you get’, and I do work hard, so I figured that was the other influencing factor. I sent Ros a draft of this post, as a courtesy because it features her, and she told me firmly that my analysis was incomplete. She wrote,

“Of course, we don’t just give out fellowships because we get asked, and I bet you wouldn’t be invited to Calgary if it wasn’t because people think you are rather good at this research thing. You miss that bit of the story!”

*blush*

Even so, if I hadn’t asked for help, I wouldn’t be where I am today. I’m also finding that the more I practice asking, the easier it becomes. I now regularly ask people for help: old friends and new, professional contacts, random strangers on Twitter. Of course they don’t all say ‘yes’ – but a surprisingly large number of people are able and willing to help.

If the prospect of asking repels you, ask yourself this: how do you respond when someone asks you for help? Are you generally willing to help others? I bet you are; it probably makes you feel good. And if that’s the case, why aren’t you willing to give other people that feel-good sensation by asking them for help in turn? Go on, give it a try – the results can be surprising and delightful.

How to get into conferences for free

Posted by Helen Kara

burglar I picked up a blog post from Twitter yesterday that left me very cross. I decided not to retweet it, mainly because I couldn’t fit all my crossness into a one-word comment on the original tweet, and partly because I didn’t want anyone to think I was condoning the views expressed by the blogger.

The post was published anonymously by someone calling themselves ‘Weasely’, who complains about the cost of a recent four-day conference priced at £120 for early birds or £150 for late bookers (£100/£130 for postgraduates), plus a year’s membership of the British International Studies Association (BISA) if you’re not already a member (£30). Weasely thinks that if you can’t afford to go to a conference, you should simply gatecrash – he or she suggests that forging a badge would be helpful – and take everything you can while you’re there, including food and drink for later. Carry tupperware and flasks for this purpose, advises Weasely, and help yourself to a bottle of wine from the wine reception. Get your tenured friends, or those with permanent posts, to help you gain illicit entry. The blog post is titled ‘Steal This Conference’.

The conference Weasely complains about was run by BISA which, like the Social Research Association (SRA) on whose Board I sit, is a learned society and a registered charity. The Boards of these organisations are made up of volunteers who work hard in their own time, alongside a small number of paid staff to put on events like these – who, because they are very dedicated people, also work in their own time as well as their paid time. BISA has one full-time member of staff, the SRA has the equivalent of approx 1.5 full-time staff, and these people are not highly paid. Also, learned societies, being registered charities, are not for profit. If we’re lucky, we do make a surplus from our events, which is used to support our other activities for public benefit, and to build up reserves against the times when we’re not so lucky and we make a loss.

Attending a conference without paying either reduces the surplus or increases the loss. This practice would push up costs. Even Weasely’s suggestions are likely to have that effect, as learned societies will now have to consider buying more expensive badges, perhaps with bar codes or holograms and the equipment to read them. They will also have to consider paying people to monitor entry to individual sessions as well as to the conference as a whole.

I don’t know why Weasely thinks it’s OK to steal a conference place, food and drink etc. His or her commenters are more measured. One uses shoplifting as an analogy, which seems quite reasonable in the circumstances, and Weasely responds rudely with the view that ‘shoplifting can be essential for survival, so screw you’. I don’t agree with the tone or the content of that comment. Debate is vital; rudeness is neither necessary nor collegial. Conference attendance is not essential for survival, even in career terms. Asking for help can be essential for survival; shoplifting is stealing. Stealing is rarely defensible, and stealing from volunteer-led charities is despicable.

I think BISA did really well to keep the price of their conference so low. Postgraduate members were being charged £25 per day, which has to be a loss leader as that wouldn’t cover the cost of venue hire, food and drink, let alone the delegate pack, admin support, and all the other costs. I suspect there was a great deal of work behind the scenes, e.g. to attract support from sponsors, persuade suppliers to offer discounts, and find funding for speakers. But I do realise that even such low costs are out of reach for some people – because I am one of those people. As an indie researcher, I would have to pay at least £150 (early bird booking fee plus a year’s membership) plus travel and accommodation, which hikes the cost dramatically, and be prepared to spend four days not earning any money. That is often the clincher.

But sometimes there are conferences I really want to go to. So I’ve found out how to go to conferences for nothing, and do so ethically: offer to volunteer. Conference organisers often need people to do all sorts of things: staff reception desks, babysit important speakers, run around at plenary sessions with roving microphones. If you have the skills, you can convene or chair a panel or two. And, as with festivals, helping for some of the time gets you free entry the rest of the time, often with travel and accommodation thrown in. Plus you get to meet the organisers who are often influential people. So all I have to contribute is my unpaid time, and that feels like a fair exchange to me.

This isn’t widely advertised, and may not be available at all conferences, but it isn’t hard to ask. For me, asking would be easier than stealing. So if you want to go to a conference, but the cost is more than you can afford, give the organisers a call or drop them an email. Explain your predicament, tell them about your skills and abilities, and ask whether you can offer your services in exchange for a conference place (and, if necessary, travel/accommodation). Do this as far in advance as you can – though it’s always worth a try, even if you only find out about a particular conference at the last minute. I’d be very surprised if you didn’t receive a sympathetic hearing at the very least, and you might well find yourself with a good deal and some new friends into the bargain.

Shut Up And Read

Posted by Helen Kara

reading I loved my writing retreat over the last two weeks, but it’s left me feeling a bit unbalanced. No, not like that! Let me explain. All writing and no reading has left me feeling as if I need to follow up my writing retreat with a reading retreat. I love reading as much as I love writing. I’ve been reading intensively about creative research methods for the last couple of years, and now there’s lots of other research-related reading I want to do. But why can it be so hard to find the time?

I think it’s partly because reading isn’t seen as ‘doing something’, particularly by managers. Practitioners who I interviewed for my first research methods book gave varying reports of this. Some said their managers did value reading and would recommend journal articles they thought would be helpful for staff. Others said their managers did not value reading, particularly where staff had a busy caseload. Yet how can practice be evidence-based if staff and managers don’t have time to read the evidence?

Never having been an academic, I naively thought that this would be different in academia: that all academics would understand the importance of reading, and the act of reading would be valued as an essential part of an academic’s work. Sadly, I now know that this is not the case – or, at least, not everywhere.

I had an interesting discussion on Twitter last week with Inger Mewburn (aka @thesiswhisperer) and Annika Coughlin about why reading isn’t regarded as work in the same way as writing. (Inger pointed out there was a blog post in that, so here it is – part one, at least; she has promised to write a follow-up.) Maybe one reason is that reading is something you can do anywhere: on a sun lounger, during your commute, in the bath, on a plane. It’s portable, a time-filler, and that makes it seem like a leisure activity rather than work.

I think perhaps another reason is that reading is hard to quantify. You can say ‘I’ve read this article today’, but have you read every word? Did you understand it all? How much can you remember? I’m sure we’re all familiar with the phenomenon of reading something and retaining nothing, even straight after we’ve finished. The number of books or articles you’ve read is irrelevant if you didn’t understand or retain much of their contents. On the other hand, writing is very quantifiable, even if none of the 500 words you’ve just written will make it into your final draft.

Like writing, though, reading helps us think, and learn, and understand the world around us. Writing, thinking, and reading are the three pillars of the researcher’s working life – or they should be. As a researcher and a writer myself, I want people to read and use research and articles and books, because otherwise what’s the point of all my hard work? Some organisational cultures are much better at producing research than using it, which seems to me like a crazy waste of resources. We should use research first, and only produce more research when that’s really needed. But to use research, we have to… guess what? Wait for it… yep, we have to read.

TBR books Jun 15 We all have to read. Including me. Here’s my current TBR pile – and it’s going to grow bigger, as I’ve just finished an online shopping spree to help me catch up on some topics of interest. I’ve made a commitment to reading at least one chapter a day, six days a week. And I’m not the only person who has been thinking along these lines; yesterday @tseenster of the Research Whisperer posted in a similar vein about her commitment to read at least two journal articles a day.

I’ve been wondering for a while why people are so keen on ‘shut up and write’ sessions, yet nobody runs ‘shut up and read’ sessions. And why do we have an #acwri hashtag on Twitter, but not an #acread hashtag? If we, as researchers and writers, can’t make reading a priority, then we can’t expect other people to read our work either. And that would be a sorry state of affairs. So maybe it’s time for us all to start talking about reading, sharing what we read, and generally telling the world that reading is both important and enjoyable.

Writing, Fast and Slow

Posted by Helen Kara

fast and slow On Monday of last week, Pat Thomson published a very interesting post about writing fast. I don’t use the exact approach she describes (though I might, one day, now I know about it) but I do often write fast, so the post resonated with me. I was writing fast that very day, and the day after as well; Pat’s post kept flitting through my mind.

Then last Wednesday, the fourth full day of my writing retreat, I ground to a halt. I did some good thinking, and a little actual writing, but not much. I told myself I was tired – and I was: a big storm had disturbed my sleep on the Monday night, and a recurrent car alarm on the Tuesday. So I did bits and bobs at my desk, in between going out for a walk, and making food, and having a nap. But I knew, really, that the slow-down was part of my process.

I’m good at writing, and part of being good at writing is getting the words down on the screen (or the page, if you’re that way inclined). But now and again there is a day, or part of a day, when the words won’t come. This isn’t me waiting for the muse, or procrastinating, or suffering from writer’s block. Though I much prefer being productive, I know that sometimes I need to do a kind of active waiting. It’s not taking time off, it’s like what musicians do during the rests in a piece, attending closely to the pauses between notes which are as much a part of the music as any of the sounds.

Last Wednesday evening arrived, which was a relief because I could declare myself off duty, fairly sure that the words would be flowing again by next morning. I spoke to my partner on the phone, ate a cheese salad washed down with a glass of wine, and read some more of the terrific Amanda Palmer and Neil Gaiman-edited issue of the New Statesman. Then I retired to the sofa with a novel and a cup of cocoa, enhanced with a dash of spiced rum, and some salted caramel chocolate. All this with a gorgeous sea view. Bliss! So relaxing.

Around 9.45 pm I got up to head for bed, looked out of the window, and saw a low red moon rising from the Channel between England and France. I have no idea why ideas began to flow just then, but they did, and generated so much energy that before I knew it I was pulling on a jacket and trainers and heading out of the door, over the road, and down the steps onto the beach. The waves thundered onto the shore in rhythm with the insights thundering into my mind. I stomped towards Dungeness, then back towards Dover, shingle crunching underfoot like an army eating popcorn in synch. The moon path followed me, patient and attentive, a French lighthouse winking to its right as if to remind me not to take myself too seriously. I walked until all the ideas had settled, and felt as relieved as if I’d just had a good [insert bodily emission of your choice]. And of course the next morning I was back to working at full speed.

In his great book Thinking, Fast and Slow (which the observant reader will notice inspired the title of this post), Nobel prizewinner Daniel Kahneman explains the difference between our fast, intuitive thinking, and slow, rational thinking. He says, ‘The mental work that produces impressions, intuitions, and many decisions goes on in silence in our mind.’ (2011:4) His central thesis is that human reasoning is flawed, and I’m sure he’s right. But I wonder whether creative thinking is rather different from rational thinking. From learning about my own writing process through several decades, I am certain that now and again I need to make time for slow, intuitive thinking. Perhaps particularly in our world of information overload, I need to make space for the silence in my mind so that the mental work can happen. Sometimes I can do this consciously, such as by booking a writing retreat, or by thinking of a writing problem as I fall asleep and trusting my silent mind to solve it overnight – which it usually does. But sometimes, like last Wednesday, my process tells me it’s time for some slow writing. In practice, that means a few hours or a day with little or no increase in the actual word count. I know from experience that if I ignore this, and try to struggle on, I just get more stuck and cross and frustrated. I’m much better off going for a walk or pottering around the house, actively waiting while the mental work happens, silently, in my mind, which I can’t hear but I can choose to trust. So, although they don’t always come at times that I would deem convenient, I’ve learned the value of my slow writing days.

Writing Retreat

Posted by Helen Kara

I am on a solo writing retreat, on the south coast of England. The photograph shows my workspace for this week and next. I’m in an unfashionable area so it’s comparatively cheap. I looked at Cornwall, initially, and found a sea view meant that even a studio flat would cost over £1,000 for a fortnight at this time of year. Here I’ve been able to rent a whole house for much less, and that means I can have friends to visit at the weekend which will be fun.

But from Sunday to Friday of this week, then Monday to Friday of next, I have 11 uninterrupted days to write. I know some people prefer communal writing retreats, but I’m such a compulsive communicator that if I went on one of those, I’d probably spend more time talking to people than typing words. Despite being a sociable person, I also enjoy my own company, so some solitude is a welcome change from my usual densely populated life.

There are 15 tasks on my to-do list ranging from guest blog posts to books. Of course I don’t expect to finish them all – indeed, five depend on input from other people which may or may not arrive during this fortnight. But I do expect to make significant progress with several, tick off at least three, and reach ‘next draft’ stage with at least two others.

Having a bunch of tasks to choose from helps my productivity. If I’m growing weary of one task, and losing interest, I can turn to a different challenge. And when I simply get tired of writing altogether, a little reading or a short walk will refresh my mental muscles.

rough sea pic I love to write with a sea view. Some people find it distracting, but I find it relaxes me and all the space of sky and depth of sea somehow offers more room for creativity. Though today, with gales and huge waves striking the shingle shelf opposite so hard that the spray hits the second-floor window in front of me and I can feel tremors through the house where I’m sitting, it is a tad distracting at times. But I’ve ticked off the first of the items to tick off, this morning, so I’m allowing myself a little sea-gazing now and then.

I also enjoy the way in which working on one task can shed light on another, seemingly unrelated, task. There’s a feeling I experience when I’m making meaning, as if everything is connected to everything else in a myriad of beautiful ways. I can never see or know the whole, but sometimes, through the interaction of thoughts and words and being and doing, I can comprehend a little more of the pattern than usual. It is not, and will never be, within my grasp, but now and again I can almost touch it, and maybe, if I reach a little further, think more, move more… I find that sensation addictive, and it’s a big part of what keeps me writing.

I am very, very lucky to be able to give myself this space to write. It’s not often I have both the money and the time. And I wouldn’t want to work like this always, but I find it really helpful, now and again, for making a good deal of progress in a short time. So it’s both self-indulgent and productive, which is a rare combination.

Sometimes the writing is smooth and steady, sometimes words spill onto the screen as my fingers hammer the keys. Sometimes I can see my way ahead clearly, other times my view is obscured. But, like the waves, the words keep coming.